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| Pamenan as an Aesthetic Concept of Creating a Wayang Padang Theatre S Nazar Dance and Theatre Review 1 (1), 2018 | 2 | 2018 |
| Potehi Puppet (布袋戲) in Java H Kuardhani Dance and Theatre Review 1 (1), 2018 | 2 | 2018 |
| The Wayang Performance of Enthus Susmono: A Resistance of Tegal-Pesisiran Identity in Breaking the Tradition Hegemony H Hariyanto Dance and Theatre Review 1 (1), 2018 | 2 | 2018 |
| Dramaturgy of Ludruk Karya Budaya on the Story of Sarip Tambak Oso JK Wardhani Dance and Theatre Review 1 (2), 2018 | 2 | 2018 |
| Membaca Opera Batak Lakon Perempuan di Pinggir Danau Produksi Pusat Latihan Opera Batak LSJ Siagian Dance and Theatre Review 2 (2), 2019 | 1 | 2019 |
| Idealisme Seniman Berdampak pada Marginalisasi Kesenian Indang Tradisi I Indrayuda Dance and Theatre Review 2 (2), 2019 | | 2019 |
| Interculturalism in The Eyes of Marege Performance A Anggara Dance and Theatre Review 1 (1), 2018 | | 2018 |
| New Show Paradigm of Wayang Klithik Wonosoco IN Murtana Dance and Theatre Review 1 (2), 2018 | | 2018 |
| Giyah Supanggah: Trace of Artist of Wayang Topeng Dalang Klaten SD Wahyuni Dance and Theatre Review 1 (2), 2018 | | 2018 |
| The Concept of NEO Theater Performances: Appreciation for Acting T Abdullah Dance and Theatre Review 1 (2), 2018 | | 2018 |
