| Beliefs and practices associated with masquerading culture in Winneba, Ghana VKB Micah University of Education Winneba, 2014 | 4 | 2014 |
| Plastic waste and its artistic context EK Donkor, VKB Micah, D Akomea Detritus (Journal for Waste Resources & Residues) 17, 71-88, 2021 | 3 | 2021 |
| Proverbial Akan Culture: Philosophical and Aesthetic Expressions with Sculptures VKB Micah, EK Donkor, OA Ankrah Auxano Impressions 1, 109, 2021 | 3 | 2021 |
| Cement: An Artistic Medium VKB Micah, OA Ansah, EK Donkor George Padmore Library 1, 50, 2015 | 3 | 2015 |
| Traditional Beliefs and Practices in Masquerading: Effutu Context VKB Micah, EK Donkor, OA Ankrah International Journal of Culture and Art Studies (IJCAS) 6 (1), 1-20, 2022 | 2 | 2022 |
| Art and the Object Materiality: A Reflexive Approach to Aluminium Scrap in Statue Production O Ankrah, EK Donkor, VKB Micah Art and Design 5 (1), 16-37, 2022 | 2 | 2022 |
| Indigenous Knowledge Systems In Traditional Musical Instruments: The Sculptor’s Contribution VKB Micah Journal of African Arts & Culture 3 (1), 14-23, 2019 | 2 | 2019 |
| Pseudo Traditional Wood Sculptures in TTU, Ghana: A Study of Four Works by an Artist-Lecturer F Boakye-Yiadom, VKB Micah, EK Donkor Journal of Arts and Humanities 11 (02), 24-35, 2022 | 1 | 2022 |
| Investigating the Documentation and Conservation Process of Outdoor Artworks in Ghana F Boakye-Yiadom, EK Donkor, VKB Micah Art and Design Review 10 (2), 145-171, 2022 | 1 | 2022 |
| Wood detritus: A functional concept in interior design EK Donkor, JF Eshun, VKB Micah IDA: International Design and Art Journal 3 (2), 184-197, 2021 | 1 | 2021 |
| Processing a new material for exterior sculpture VKB Micah | 1 | 2005 |
| Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album VKB Micah, EK Donkor, OA Ankrah african arts 56 (2), 48-63, 2023 | | 2023 |
| 'PAA GRANT'OUTDOOR CONCRETE SCULPTURE AS CONSERVATION OF CULTURAL HERITAGE: A SCULPTOR-CONSERVATOR-RESTORER APPROACH. F Boakye-Yiadom, EK Donkor, VKB Micah International Journal of Conservation Science 13 (4), 2022 | | 2022 |
| The Significance of Stools and Bottom Rests Used in The Aboakyir Festival of Ghana F Boakye-Yiadom, EK Donkor, VKB Micah Takoradi Technical University Journal of Technology 7 (1), 61-84, 2022 | | 2022 |
| Symbolic Significance of Concrete Wall Murals F Boakye-Yiadom, OA Ankrah, VKB Micah International Journal of Innovative Research and Development 11 (10), 48-55, 2022 | | 2022 |
| Symbolic Significance of Concrete Wall Murals F Boakye-Yiadom, OA Ankrah, VKB Micah International Journal of Innovative Research and Development 11 (10), 48-55, 2022 | | 2022 |
| Aesthetic analysis of Donkor’s scrap metal bull sculpture EK Donkor, VKB Micah, OA Ankrah Journal of African Art Education 3 (1), 23 – 49, 2022 | | 2022 |
| My Clay works: From Shades of Pink to Grey VKB Micah Art Exhibition, 2021 | | 2021 |
| ‘ida 2021 Virtual Exhibition’, IDA: International Design and Art Journal, Turkey VKB Micah IDA: International Design and Art Journal, Turkey, 2021 | | 2021 |
| My Clay Works: From Shades of Pink to Grey VKB Micah Auxano Impressions 1, 55, 2021 | | 2021 |
