Kajian Prinsip Pokok Tipografi (Legibility, Readbility, Visibility, Dan Clarity) Pada Poster Film Beranak Dalam Kubur the Movie Dan Jelangkung YA Ekawardhani, G Natagracia Visualita 4 (1), 2012 | 21 | 2012 |
User Interface/User Experience Design for Mobile-Based Project Management Application Using Design Thinking Approach AH Makalalag, YA Ekawardhani, TVL Gaol International Journal of Education, Information Technology, and Others 4 (2 …, 2021 | 19 | 2021 |
Modification of visual characters in Indonesia animation film YA Ekawardhani, I Santosa, HA Ahmad, I Irfansyah Harmonia: Journal of Arts Research and Education 20 (2), 167-175, 2020 | 7 | 2020 |
Keteladanan Inggit Garnasih, Sang Pemilik Simbol Kesetiaan I Trianasari, YA Ekawardhani DIVAGATRA-Jurnal Penelitian Mahasiswa Desain 1 (1), 34-47, 2021 | 2 | 2021 |
Bioplastic Technology as Packaging Innovation YA Ekawardhani, CY Pasaribu, AN Rohmah, and Salsabila. O. 4th International Conference on Informatics, Engineering, Science, and …, 2021 | 2 | 2021 |
Javanese Paternalistic Culture in Keluarga Somat Animated Film Episode “Eating Together” and “Failure of Romance” YA Ekawardhani, I Santosa Art and Design Studies, 2017 | 2 | 2017 |
Visualisasi Karakter Kuntilanak Berdasarkan Cerita Legenda Urban Mengenai Tragedi Sakit Hati Perempuan ADD Rizky, YA Ekawardhani Visualita 5 (2), 266932, 2014 | 2 | 2014 |
Animation video design as promotion for nature school as habituation of green lifestyle YA Ekawardhani, D Subandi, BH Kurniadi Journal of Eastern European and Central Asian Research (JEECAR) 10 (4), 659-667, 2023 | 1 | 2023 |
Desain Komik Digital untuk Kepantasan Berbahasa Sunda pada Remaja Kota Bandung F Sulistio, YA Ekawardhani DIVAGATRA-Jurnal Penelitian Mahasiswa Desain 2 (1), 93-107, 2022 | 1 | 2022 |
Visual Poster Film Anime Akira Versi Tahun 2001 Dan Tahun 1989 Melalui Semiotika MR Ramadhan, YA Ekawardhani DIVAGATRA-Jurnal Penelitian Mahasiswa Desain 2 (1), 1-13, 2022 | 1 | 2022 |
Application Of Anthropomorphism To Protagonist And Antagonist Character In Animated Film Series Dufan The Defender Y Ambarsih Ekawardhani ICo-ApICT 2015, 2015 | 1 | 2015 |
Citraan Gaya Harajuku pada Gaya Grafis Grafis Produk Distro YA Ekawardhani, A Yanti Visualita 4 (1), 266927, 2012 | 1 | 2012 |
Science Fiction and Its Use in Contemporary Industrial Product Design MHH Al Hilo, YA Ekawardhani International Journal of Design (INJUDES) 4, 1-16, 2024 | | 2024 |
Implementation of Logo Change on Micro Small Medium Enterprises (MSME) Snack Products as Branding Strategy YA Ekawardhani, MF Nasruddin, MNI Fasya International Conference on Business, Economics, Social Sciences, and …, 2024 | | 2024 |
INDONESIAN MUSLIMAH INFLUENCER'S FASHION STYLE ON SOCIAL MEDIA GA Ramadhan, YA Ekawardhani Proceeding of International Conference on Business, Economics, Social …, 2024 | | 2024 |
The Meaning of Color in Lucifer's Character Design in The Sandman (2021) Television Series G Rimbawati, YA Ekawardhani ARTic 6 (2), 605-614, 2024 | | 2024 |
Participation Practice in Screenplay Making of" Sapa Ndisit Oh" by Marjo Klengkam Sulam WW Legowo, YA Ekawardhani ARTic 6 (1), 591-603, 2023 | | 2023 |
Sign Reading of the Meaning of Shape and Color in the Lion Dance M Irsyadi, YA Ekawardhani ARTic 6 (1), 559-569, 2023 | | 2023 |
The ecological meaning of bamboo as a building material for Sundanese ethnic houses GR Salsabila, YA Ekawardhani AIP Conference Proceedings 2882 (1), 2023 | | 2023 |
Visualizing gratitude’s spectrum through animated video series media MI Hikmatullah, YA Ekawardhani AIP Conference Proceedings 2882 (1), 2023 | | 2023 |